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Top Songs of 2013: Top Ten Best Indie Rock Songs

Murciélago y Demonio by Jeronimo Lopez Ramirez (aka Dr Lakra)

Murciélago y Demonio by Jeronimo Lopez Ramirez (aka Dr Lakra)

The Top Ten Indie Rock Songs of 2013

2013’s best indie rock songs combined simple guitar-strumming with emotive vocals and catchy piano riffs. What separates the top ten from the other great songs on the best indie rock list is usually something a little more, lyrically. While all the songs on this list and the previous top 20 Indie Rock Songs list will keep you jamming all year long, the songs below have the kind of lyrics that bear repeat listening. Either they tackle a more interesting theme, or their poetry puts a new spin on a cliche theme.

10. Wild Party – Outright (2:43)

Paul McCartney was right: there’s no shortage of good love songs, and yet here we go again. “Outright” (which, really the grammar snob in me feels should be two words) has twice the chance of becoming your latest addiction because it has two hooks. The fast-paced refrain may hook you, but I find the lines “I wish sometimes dreaming was as real as this feeling when I met you” just as catchy as the refrain, even if that line is also grammatically problematic (alas, no one seems to remember the English subjunctive these days).  Theoretically, if a CMOS snob like me were to like a song with this many grammatical errors, it would have to be a pretty good tune, eh?

9. The Neighborhood – No Grey  (3:25)

The Neighborhood’s starting to gain chart success in Oakland for their beautifully narrative song “Sweater Weather.” The reason it’s not on this list is that it topped my best-of indie music list last year. (If you’ve been here before, you know I try to stay ahead of the radio). “No Grey” didn’t catch my affection right away, probably because I loved “Sweater Weather” so much that it was hard to follow up. But I found “No Grey” creeping into my subconscious, found myself singing it even before I remembered who wrote it or the name of the song. It deals with a common theme among up-and-coming rock bands: balancing art with commercial success. I love “No Grey” musically, but it gets extra points for tackling a more interesting theme than boy-meets-girl.

8. Daughter – Youth (4:13)

Throughout 2013, I knew Daughter would be on this best-of 2013 list, it was just a matter of deciding which song. In some ways, though they’re so different as to not truly be the same genre, Daughter reminds me of The XX. The latter makes dreamier songs while Daughter’s music is more plaintive and folksy, both have mastered the art of subtlety. You’d be forgiven for not noticing there’s both a harp and a violin on this track, as the bare bones of “Youth” are Elena Tonra’s voice and a simple guitar melody.

Daughter’s music is sad, intimate, and the lyrics pull you in. Perhaps the perfect counterpoint to a couple who fell in love listening to Bon Iver is a to listen to Daughter when they break up. “Youth” is the song that captures this the most, with the beautiful idea that all the hipsters are drinking and smoking to set fire to their broken hearts:

And if you’re still breathing, you’re the lucky ones.
‘Cause most of us are heaving through corrupted lungs.
Setting fire to our insides for fun
Collecting names of the lovers that went wrong

A touching song that captures a moment, like a flame wavering in the dark. If you love “Youth,” you’ll enjoy the rest of If You Leave the album’s only flaw is that it’s too short.

7. Portugal. The Man – Modern Jesus (3:14)

Portugal. The Man has partnered with star-producer Danger Mouse to put out a terrific album with Evil Friends. These aren’t grab-you-by-the-neck songs nor do they get you with a pulsing rhythm. “Modern Jesus” is, not surprisingly, an atheist anthem (not the first to grace this site, see “Atheist Funeral” from 2011). When the drums and piano come in on the refrain, all that bass I’ve become accustomed to feels unnecessary. Like “Youth,” “Modern Jesus” is another simple song that rewards with straightforward but elegant lyrics and a perfectly balanced arrangement.

There are so many good tracks on Evil Friends, including the title track and the equally-satisfying “Creep In A T-Shirt.”

6. The Fratellis – Seven Nights Seven Days (3:25)

I’m a fan of every project Jon Fratelli has been involved in, from The Fratellis to his solo work to Codeine Velvet Club. Most of The Fratellis songs are about wine, women and song, with the wine replaced by something heartier and rustic, as more fitting to a rock band from Glasgow, Scotland.

“Seven Nights Seven Days” is just the kind of upbeat, rousing number that The Fratellis excel at. It’s the kind of thing you could imagine playing in a barn, with much stomping and beer-spilling. Continue reading Top Songs of 2013: Top Ten Best Indie Rock Songs →

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Top Songs of 2013: Best Indie Rock 11-20

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Naoto Hattori
By Naoto Hattori

The Top 20 Indie Rock Songs of 2013

Below are ten of the best rock songs to come out in 2013. This list has everything from gentle lullabies to angsty guitar licks. What it doesn’t have are the 10 best indie rock songs of 2013, which are still yet to come. But I bet you’ll find these are so good that you won’t mind a bit.

Use the music player on the bottom of the screen to preview the whole list, or right-click and choose “Save as” to download. Songs will play in a new tab if clicked on.

20. Ball Park Music – Literally Baby (2:46)

“Literally Baby” isn’t even indie rock. This is good old-fashioned rock and roll that’s a little bit 1955 and a little bit 1995. For the latter I’m thinking of the vocalist, who shouts like one of the many nineties rockers influenced by ska or rockabilly. The piano tinkles like a golden oldie and the triumphant back-up chorus is one of many trills that give the song fullness.

The main reason this song didn’t find better footing on my list is that I’m perplexed by the refrain, which happens to remind me of my biggest grammatical pet peeve.  It’s not that he’s using “literally” wrongly, it seems more like for no reason at all. Maybe it’s a reference to the girl having a similar pet peeve—akin to Vampire Weekend’s “Oxford Comma.” But unlike the latter, it’s unclear what the singer is getting at with the refrain. Your thoughts on the lyrical intent?

19. Thee Oh Sees – Toe Cutter – Thumb Buster (3:32)

John Dwyer of Thee Oh Sees
John Dwyer and his thumb buster [image via AlterEXA]

The opening shrill cuts like a knife and the thick, lusty guitar makes me want to sway right from the first riff. Not a lounge-y sway, but a raucous, wide-legged sway, deep enough to be a yoga move, best accompanied by a pumping fist. Next the drums and guitar relent in favor of the singing, unexpectedly soft. This is all just a breather, a chance to prep yourself for some more indulgence to the God of strings. I’m not one for long guitar solos (which half “Thumb Buster” is…I’m wondering if the title is a reference not to the song’s content but what it does to John Dwyer’s fingers). It all fizzles out in skillfully-dosed feedback. Fans of shoegaze and classic rock should check out “Thumb Buster”.

18. Born Ruffians – Needle (3:32)

The reason “Needle” didn’t get a better spot on my best of 2013 list is because it starts out too pretty. I like the pretty, but it’s a little too plodding, too plaintive. When the crisp refrain begins it feels like a slow slap in the face. Thirty seconds later I remember why I love this song. When Born Ruffians begin singing “A way! A way!” they have gorgeous harmonies it’s rare to hear in a rock band. And “Needle” does rock when it gets to that refrain. The rockage sneaks up on you.

There’s something to the lyrics too. Most of the song is a plaintive complaint of how the singer doesn’t fit in. But it’s not a sad song, it’s a love song. He’s found that someone, and what are the odds that such an odd fellow would find his needle in the hay?

I belong to no one
A song without an album
Long forgotten maxim spoken to the sea:
I belong with no one/ I belong with no one/ I belong with no one…

you belong with me

The typical lovesong would focus on the object of his affection but “Needle” is mostly lyrical navel-gazing. It’s narcissistic moping is touching because the more of an oddball he is, the more amazing it is that he found her.

Born Ruffians are one of many bands that hasn’t yet gotten the recognition they deserve. In “Needle” they sound a bit like they’re impersonating Vampire Weekend, but many of their best songs are more straightforward rocking out.

17. The Royal Concept – World On Fire (3:48)

Leave it to a Swedish electro band to show us how a synth was meant to be used. “World

Best Music of 2013 [Your New Favorite Band]
Check it: the Best Music of 2013 list is all into branding
On Fire” is yet another rousing tribute to soundtrack the march towards our dystopic future. “The world has gone mad,” the royal concept sings, and this is the song we lemmings will be dancing to as we go over the edge. Originally one of my top-five favorite songs of 2013, but I overplayed it so it lost its rank. Unfair? Tell me if you think it deserves a better spot.

16. Mounties – Headphones (3:08)

“I got my headphones on from the minute I’m up to the minute I go to bed.” That’s a refrain I feel more kinship with than I do with 90% of love songs.  I love the image of a pair of headphones as a sideways mohawk. These Canadian cops on horses are going to be buried in their headphones, proving they’ve done their homework. The guitar work pulls you in without drawing attention to itself while the chilled-out harmonies have a bit of edge in the refrain.

Mounties are a new band; they don’t even have their album on Amazon yet. Check out the Mounties website to feel all up and coming. Continue reading Top Songs of 2013: Best Indie Rock 11-20 →

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Fan Mail for Evan Peterson: Dark Songs With Pretty Words

Evan J PetersenThis is my friend Evan Peterson. Isn’t he handsome? He runs this nifty press in Seattle, and he writes zombie poetry and other things horrific, queer and clever. He has a timid greyhound rescue dog named after a character in an Oscar Wilde story.

This is a mix tape for Evan. So the songs are a little dark or a little queer, or well-stated, just like Evan and the stuff he writes. I’ve also focused on songs that are new wave, electro, or dark wave as I know those are genres Mr. Petersen and I both favor. In honing the list, I’ve favored songs that embrace big topics like God while fearlessly examining our shadow selves, because I know Evan Petersen thinks about the heavy shit.

And this is the part where I explain the choices. Because what fun is a mix if you don’t overthink it? Continue reading Fan Mail for Evan Peterson: Dark Songs With Pretty Words →

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It’s All Pinkerton’s Fault — Of Adorable Monsters and Lazy Women

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Meet my new friend Pinkerton. He’s 12 weeks old, with a bladder capacity of three hours, less when he’s excited. This can get in the way of getting you those Best of 2012 lists. But I always have an excuse, don’t I?

11 week old Maltese puppy
The source of my distraction

His name is Mr. Pinkerton Floyd, which is a reference to: Continue reading It’s All Pinkerton’s Fault — Of Adorable Monsters and Lazy Women →

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Top Indie Songs 2012: Rock (Part I: 11-20)

These are not quite the top ten indie rock songs of 2012, but are still some of the best bands you shouldn’t miss out on hearing.

Note that I’ve used the phrase “indie rock” very loosely here. I’m only striving to make a distinction to break these up into the vaguest of genres. So you can look forward to a hip-hop list, a dance list, and an indie pop list. This mostly means rock, but they’re just as much defined by what they’re not: dance-y. These are the (second) best songs of 2012 with more grit than groove.

Top Indie Songs of 2012 comes with art!
“Talliff” by Matt Lyon via City of Vultures

 

As usual, to download the song, right-click on it and choose “Save as.” Also, please note the music player at the bottom right of the screen that enables you to preview all the songs on this page as a playlist.

  1. Little Jungles – Nothing Will Grow

    Hey, Little Jungles, what happened? Your Bandcamp said way back in January of 2012 that this song would be on the forthcoming album I Would Kill For Some Sunlight. And here it is January 2013 and that album appears to be still forthcoming. “Nothing Will Grow” indeed. Ah well get this song from Bandcamp, where you can name your price.

  2. Moonface – Teary Eyes and Bloody Lips

    I wish Spencer Krug would pick a band and stick with it. He’s all over the place, sometimes in Sunset Rubdown, last seen in Wolf Parade and now he’s the primary voice behind Moonface. Every year I think the gent has produced nothing new, I come to find he’s in some other project. Fortunately he has a distinctive voice and amazing lyrics, so I tend to realize it’s a Spencer Krug song the first time I hear it. This one sticks out for the line “Teary eyes and bloody lips make you look like Stevie Knicks.” I think that makes you look more like Tina Turner, but I guess that wouldn’t rhyme.

    Buy the Moonface album With Siinai: Heartbreaking Bravery
    Continue reading Top Indie Songs 2012: Rock (Part I: 11-20) →

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Best Music of 2011: Best Indie Rock

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Best Indie Rock of 2011 PART I

So begins at last my list of the finest songs of 2011. Last year I was all upset about the whole idea that one could even begin to honestly determine the very best songs put out in a year. Not because tastes differ too greatly, but because there’s just too much good music.

This year I realized I could have thrown together a list in late December, which is what everyone wants. No one gives a damn about 2011 in February, right? But for some reason I couldn’t stop myself from pouring through everything I’d played on my radio stream, in search of something I’d missed. Some time in January, I realized that I don’t do this for you (sorry, readers). I do it for me, so I can be sure nothing gets lost in the music world’s relentless drive toward newer-better-bolder. So these songs of 2011 may be five minutes ago, but they’re worth looking over twice.

 

The Best Indie Rock of 2011 PART I

There’s just too much goodness to fit in one post. In no particular order… image thanks to <a href=

Image thanks to http://ginamyte.tumblr.com

Continue reading Best Music of 2011: Best Indie Rock →

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Great Indie Lyricists #3: Emily Haines of Metric

This is song #3 of a playlist for my LYLAS Kat. The subject is great indie lyricists. Each week I’m focusing on the lyrics of one band and why those lyrics are worth delving into.

Hi Kat,

Since you’ve been obsessed with the Mountain Goats lately, we’ve been talking about who some of our favorite modern lyricists are. This playlist was made specifically to answer that question. Today’s band is Metric.

 

It’s no secret that Metric is one of my favorite bands of the decade. One may compare them to chick-fronted rock bands like Blondie or the Yeah Yeah Yeahs. But Metric wins bonus points in having captivating, socially relevant lyrics. I first got hooked on the mysterious “The Police and the Private” and became fanatic with “Patriarch on A Vespa.” I say it’s socially relevant but it’s more poetry than preaching. She’s writing about the world she sees, and as a socially aware person, this is reflected in her writing.

Take the aforementioned “Police and the Private”. She sings:

Didn’t make this up I learned, I learned it from a friend
My friend is coming clean, she told me
Keep one eye on the door, keep one eye on the bed
Never expect to be sure who you’re working for

It’s clear she’s talking about some black market world. Is it drugs? Prostitution? Does it matter which, or does it matter more that the larger point is that “the whole world wants what we’re on…the police and the private, the doctor, the lawyer, the garbage collector“? The tone is desperate and dangerous. Never once does she ask why something the whole world wants is outlawed, as that would be preaching. I liken it to the Talking Heads song “Life During Wartime,” in that capturing the dangers of the lifestyle is more telling and more interesting than a sermon about the morality of those who choose to live in the underworld. The clincher in “Police and the Private” is the last line, Got to get to you the orphanage is closing in an hour. Such a haunting line. Does the character in the song live this dangerous lifestyle in the hopes of making enough money to get her child back? It’s unclear, merely suggestive that criminals lead desperate lives because there are other more innocent lives at stake.

 

Another example is “Gold, Guns, Girls.” The lyrics All the guns, all the gold, in the world…couldn’t get you off seem to be directed at a certain president and his cabinet that were in power when she released the song in 2009. Did she sit down to write a song about a particular politician, or does her pen naturally gravitate to such subjects because they interest her? Would the song be better if she namechecked Bush or Cheney? No, the song is better because it is about a certain type of person that Cheney happens to be an example of.

Download/Listen to Metric – Gold, Guns, Girls

Full Lyrics to Gold, Guns, Girls

 

The lyrics to Patriarch On A Vespa wouldn’t be out of place in the latest urban literary magazine. I’ll print them in full so you can imagine them not in a rock song but within your favorite poetry anthology.

 

Patriarch On A Vespa

Promiscuous makes an entrance
Her mouth is full of questions
Are we all brides to be?
Are we all designed to be confined?
Buy ourselves chastity belts and lock them
Organize our lives and lose the key
Our faces all resemble dying roses
From trying to fix it
When instead we should break it
We’ve got to break it before it breaks us

Fear of pretty houses and their porches
Fear of biological wristwatches
Fear of comparison shopping
Dogs on leashes behind fences barking
Pretty little pillows on floral couches
Until our faces all resemble dying roses
Stop trying to fix it

Patriarch on a Vespa
Runs a red and ends up
Crushed under the wheel

 

I can imagine this getting high marks at the next Berkeley poetry slam, can’t you? But on the contrary, she sings this while playing the keyboard solo and kicking her legs in the air in total bad-ass fashion. The “it” she refers to I presume to be bullshit suburbia and when she shouts “Stop trying to fix it…we should break it” she has created a couplet not matched in the history of rocking out since The Who first shouted  “Meet the new boss! Same as the old boss!” If this song had been popular enough to hit heavy rotation on corporate radio, surely it would have inspired some chair throwing and bra burning.

 

Download/Listen to Patriarch On A Vespa

 

If you want to see some chill-inspiring rockage, check out the thrills she throws down at 1:40. It will give you a sense of why Emily Haines is one of the goddesses of indie rock:

 

Bonus: If this rocks a little hard for you, check out Emily Haines solo career with her backing band The Soft Skeleton. Or if you just can’t get enough, she’s also a sometimes-singer for Broken Social Scene.

Posted via email from Like Dancing About Architecture

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Great indie lyricists #2: Los Campesinos!

This is song #2 of a playlist for Kat. The subject is great indie lyricists.

Hi Kat,

Since you've been obsessed with the Mountain Goats lately, we've been talking about who some of our favorite modern lyricists are. This playlist was made specifically to answer that question.

Los Campesinos! We Are All Accelerated Readers

There were conversations about what Breakfast Club character you'd be

"I'd be the one that dies" (no one dies)
"Well then what's the point?"
You should have built have a statue, and so I did of you
And you were ungrateful, and slightly offended at the dimensions of it
You said you looked less like the Venus de Milo, 

and more like your mother in a straightjacket.

I've already shared a few Los Campesinos! songs with you. I really want you to fall in love with this band. For a great lyric I picked "We Are All Accelerated Readers" because I think you'll appreciate the humor in these opening lines. Los Campesinos!'s front man mostly writes about his dismal love life. But like any good writer, those conversations are peppered with his obsessions: twee and the musical culture which surrounds it. There's also frequent pessimistic asides about the future of politics, humanity and, well, everything. It's surprising in such upbeat songs. You hear the high voices, shouting, and hand-clapping over lines like "We kid ourselves there's future in the fucking / but there is no fucking future" or, say, "And your very existence is a monument / To how I taught myself to scream" and realize these aren't exactly pop songs. They're punk for tweeny-boppers. Or twee for punks. Whatever, they're fun. Which makes it easy to dismiss the lyrics. But the lyrics are what make this band so great.

Posted via email from Like Dancing About Architecture

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Great indie lyricists #1: Cloud Cult

This is a playlist for Kat. The subject is great indie lyricists.

Cloud Cult – Ghost Inside our House

lyrics

Image via Western Sun

The couple that fronts Cloud Cult released a ton of albums while working through the grief of the death of their young son. But the songs aren’t a diary of torment. There is real pain here, but just as often there is an appreciation for the beauty of life. Cloud Cult’s songs are drowning in duende. There’s so much love in this music. So many beautiful images and ideas.

We’ll start a little family
And call it our religion
Hunt for ghosts inside our house
‘Cause we’ll never give up wishing

Their lyrics give you the sense that life is tender and precious.

It helps that the music is interesting and every song is unique. This one is a slow guitar number but many of their songs feature strange interludes or booming orchestrations or meandering violin. It also helps that they’re amazing live. They’re one of those bands that make it impossible to pick a favorite. I believe you’ll especially like this one, but there are so many other Cloud Cult songs to fall in love with. Do it.

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Stop the Genrefication!

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I have a long-standing debate with my sweetie (one of thousands) about the word, “indie rock.” We all know bands that are clearly indie rock, I’m not even going to bother to list them. The question is, does it refer to a genre, or does it refer to the way the music is produced? If it is a genre, then bands like the Killers and Interpol, both on major labels, are indie. If it simply separates small-label stars from the bigguns’, then bands like the White Stripes, or before that R.E.M. or even before that, Lou Reed, are former Indie rockers, though musically dissimilar. Really, I’m not so sure what the electropop sounds of I Am the World Trade Center have in common with the rough vocals of Modest Mouse, other than independent label status.
Before you answer, let me take you back ten years, to 1996. Blockbuster Music (this is where you shopped in the suburbs if you were 16, because your mom didn’t know about Sound Exchange) has a new section of music called, “Alternative.” For about ten minutes I was excited about this exciting new genre that included all of the cool new bands: Nirvana, Bush, Radiohead, the Eels, Cake, Poe, Bjork.
Wait– Bjork?
Yes, Bjork.
That’s when it became clear that the only difference between “Alternative,” and “rock,” was that it was the music that appealed to people in my age group (make that, market segment). The actual musical styles had little in common. Perhaps there is nothing sinister in this. Blockbuster wanted my shopping experience to be as convenient as possible.
But it is a little bit like naming art movements, “Modernism,” or “Contemporary,” suggesting all that they have in common is that this is what people like right now. Well, (as I would have said at sixteen) duh. Is that the best description you can give?
I understand that many want to identify themselves as “indie-rockers.” That is the best music out there and anyone who listens to anything else is inferior (What? That is exactly what the indie-rocker is thinking). And an indie-rocker listens to what? Indie-rock music, of course.
But the way I see it, this can only go two ways:
1. Indie-rock is a genre consisting of any music that is on the verge of breaking big circa turn of the millineum (like “alternative” before it, which means jack shit now).
2. A band on an independent label is fantastic and mind-blowing until they get a record contract at which point they are not indie-cool anymore and they are sell-out snot-munchers.
Both of these are to be avoided! Please! I love indie-rock music! But let us not genrify.