Tag Archives: top songs of 2013

Top Songs of 2013: Top Ten Best Indie Rock Songs

Murciélago y Demonio by Jeronimo Lopez Ramirez (aka Dr Lakra)

Murciélago y Demonio by Jeronimo Lopez Ramirez (aka Dr Lakra)

The Top Ten Indie Rock Songs of 2013

2013’s best indie rock songs combined simple guitar-strumming with emotive vocals and catchy piano riffs. What separates the top ten from the other great songs on the best indie rock list is usually something a little more, lyrically. While all the songs on this list and the previous top 20 Indie Rock Songs list will keep you jamming all year long, the songs below have the kind of lyrics that bear repeat listening. Either they tackle a more interesting theme, or their poetry puts a new spin on a cliche theme.

10. Wild Party – Outright (2:43)

Paul McCartney was right: there’s no shortage of good love songs, and yet here we go again. “Outright” (which, really the grammar snob in me feels should be two words) has twice the chance of becoming your latest addiction because it has two hooks. The fast-paced refrain may hook you, but I find the lines “I wish sometimes dreaming was as real as this feeling when I met you” just as catchy as the refrain, even if that line is also grammatically problematic (alas, no one seems to remember the English subjunctive these days).  Theoretically, if a CMOS snob like me were to like a song with this many grammatical errors, it would have to be a pretty good tune, eh?

9. The Neighborhood – No Grey  (3:25)

The Neighborhood’s starting to gain chart success in Oakland for their beautifully narrative song “Sweater Weather.” The reason it’s not on this list is that it topped my best-of indie music list last year. (If you’ve been here before, you know I try to stay ahead of the radio). “No Grey” didn’t catch my affection right away, probably because I loved “Sweater Weather” so much that it was hard to follow up. But I found “No Grey” creeping into my subconscious, found myself singing it even before I remembered who wrote it or the name of the song. It deals with a common theme among up-and-coming rock bands: balancing art with commercial success. I love “No Grey” musically, but it gets extra points for tackling a more interesting theme than boy-meets-girl.

8. Daughter – Youth (4:13)

Throughout 2013, I knew Daughter would be on this best-of 2013 list, it was just a matter of deciding which song. In some ways, though they’re so different as to not truly be the same genre, Daughter reminds me of The XX. The latter makes dreamier songs while Daughter’s music is more plaintive and folksy, both have mastered the art of subtlety. You’d be forgiven for not noticing there’s both a harp and a violin on this track, as the bare bones of “Youth” are Elena Tonra’s voice and a simple guitar melody.

Daughter’s music is sad, intimate, and the lyrics pull you in. Perhaps the perfect counterpoint to a couple who fell in love listening to Bon Iver is a to listen to Daughter when they break up. “Youth” is the song that captures this the most, with the beautiful idea that all the hipsters are drinking and smoking to set fire to their broken hearts:

And if you’re still breathing, you’re the lucky ones.
‘Cause most of us are heaving through corrupted lungs.
Setting fire to our insides for fun
Collecting names of the lovers that went wrong

A touching song that captures a moment, like a flame wavering in the dark. If you love “Youth,” you’ll enjoy the rest of If You Leave the album’s only flaw is that it’s too short.

7. Portugal. The Man – Modern Jesus (3:14)

Portugal. The Man has partnered with star-producer Danger Mouse to put out a terrific album with Evil Friends. These aren’t grab-you-by-the-neck songs nor do they get you with a pulsing rhythm. “Modern Jesus” is, not surprisingly, an atheist anthem (not the first to grace this site, see “Atheist Funeral” from 2011). When the drums and piano come in on the refrain, all that bass I’ve become accustomed to feels unnecessary. Like “Youth,” “Modern Jesus” is another simple song that rewards with straightforward but elegant lyrics and a perfectly balanced arrangement.

There are so many good tracks on Evil Friends, including the title track and the equally-satisfying “Creep In A T-Shirt.”

6. The Fratellis – Seven Nights Seven Days (3:25)

I’m a fan of every project Jon Fratelli has been involved in, from The Fratellis to his solo work to Codeine Velvet Club. Most of The Fratellis songs are about wine, women and song, with the wine replaced by something heartier and rustic, as more fitting to a rock band from Glasgow, Scotland.

“Seven Nights Seven Days” is just the kind of upbeat, rousing number that The Fratellis excel at. It’s the kind of thing you could imagine playing in a barn, with much stomping and beer-spilling. Continue reading Top Songs of 2013: Top Ten Best Indie Rock Songs

Top Songs of 2013: Best Indie Rock 11-20

Naoto Hattori
By Naoto Hattori

The Top 20 Indie Rock Songs of 2013

Below are ten of the best rock songs to come out in 2013. This list has everything from gentle lullabies to angsty guitar licks. What it doesn’t have are the 10 best indie rock songs of 2013, which are still yet to come. But I bet you’ll find these are so good that you won’t mind a bit.

Use the music player on the bottom of the screen to preview the whole list, or right-click and choose “Save as” to download. Songs will play in a new tab if clicked on.

20. Ball Park Music – Literally Baby (2:46)

“Literally Baby” isn’t even indie rock. This is good old-fashioned rock and roll that’s a little bit 1955 and a little bit 1995. For the latter I’m thinking of the vocalist, who shouts like one of the many nineties rockers influenced by ska or rockabilly. The piano tinkles like a golden oldie and the triumphant back-up chorus is one of many trills that give the song fullness.

The main reason this song didn’t find better footing on my list is that I’m perplexed by the refrain, which happens to remind me of my biggest grammatical pet peeve.  It’s not that he’s using “literally” wrongly, it seems more like for no reason at all. Maybe it’s a reference to the girl having a similar pet peeve—akin to Vampire Weekend’s “Oxford Comma.” But unlike the latter, it’s unclear what the singer is getting at with the refrain. Your thoughts on the lyrical intent?

19. Thee Oh Sees – Toe Cutter – Thumb Buster (3:32)

John Dwyer of Thee Oh Sees
John Dwyer and his thumb buster [image via AlterEXA]

The opening shrill cuts like a knife and the thick, lusty guitar makes me want to sway right from the first riff. Not a lounge-y sway, but a raucous, wide-legged sway, deep enough to be a yoga move, best accompanied by a pumping fist. Next the drums and guitar relent in favor of the singing, unexpectedly soft. This is all just a breather, a chance to prep yourself for some more indulgence to the God of strings. I’m not one for long guitar solos (which half “Thumb Buster” is…I’m wondering if the title is a reference not to the song’s content but what it does to John Dwyer’s fingers). It all fizzles out in skillfully-dosed feedback. Fans of shoegaze and classic rock should check out “Thumb Buster”.

18. Born Ruffians – Needle (3:32)

The reason “Needle” didn’t get a better spot on my best of 2013 list is because it starts out too pretty. I like the pretty, but it’s a little too plodding, too plaintive. When the crisp refrain begins it feels like a slow slap in the face. Thirty seconds later I remember why I love this song. When Born Ruffians begin singing “A way! A way!” they have gorgeous harmonies it’s rare to hear in a rock band. And “Needle” does rock when it gets to that refrain. The rockage sneaks up on you.

There’s something to the lyrics too. Most of the song is a plaintive complaint of how the singer doesn’t fit in. But it’s not a sad song, it’s a love song. He’s found that someone, and what are the odds that such an odd fellow would find his needle in the hay?

I belong to no one
A song without an album
Long forgotten maxim spoken to the sea:
I belong with no one/ I belong with no one/ I belong with no one…

you belong with me

The typical lovesong would focus on the object of his affection but “Needle” is mostly lyrical navel-gazing. It’s narcissistic moping is touching because the more of an oddball he is, the more amazing it is that he found her.

Born Ruffians are one of many bands that hasn’t yet gotten the recognition they deserve. In “Needle” they sound a bit like they’re impersonating Vampire Weekend, but many of their best songs are more straightforward rocking out.

17. The Royal Concept – World On Fire (3:48)

Leave it to a Swedish electro band to show us how a synth was meant to be used. “World

Best Music of 2013 [Your New Favorite Band]
Check it: the Best Music of 2013 list is all into branding
On Fire” is yet another rousing tribute to soundtrack the march towards our dystopic future. “The world has gone mad,” the royal concept sings, and this is the song we lemmings will be dancing to as we go over the edge. Originally one of my top-five favorite songs of 2013, but I overplayed it so it lost its rank. Unfair? Tell me if you think it deserves a better spot.

16. Mounties – Headphones (3:08)

“I got my headphones on from the minute I’m up to the minute I go to bed.” That’s a refrain I feel more kinship with than I do with 90% of love songs.  I love the image of a pair of headphones as a sideways mohawk. These Canadian cops on horses are going to be buried in their headphones, proving they’ve done their homework. The guitar work pulls you in without drawing attention to itself while the chilled-out harmonies have a bit of edge in the refrain.

Mounties are a new band; they don’t even have their album on Amazon yet. Check out the Mounties website to feel all up and coming. Continue reading Top Songs of 2013: Best Indie Rock 11-20

Top Songs of 2013: Best Dance Music TOP TEN

best artist of 2013 Kukula
While we’re talking favorites of 2013, Kukula was the best artist I discovered last year.

The Top Songs of 2013 playlist continues, with the ten best dance songs playlist. By “best dance songs” I don’t mean “biggest bangers.” Anyone quality producer can lay down a floor shaker and even anthemic crescendos a la David Guetta and Calvin Harris are starting to sound tired. While the tracks below will make your hips shake, they also combine the zeitgeist of EDM right now and the direction dance music is heading.

The Best Dance Music of 2013

10. Smokey Robinson – Being With You (Clark Kent Remix) (4:34)

First posted August 2013 by Earmilk

As I mentioned in the previous post, this year’s crop of best dance tunes had a lot of retro remixes, but you’d not confuse this Clark Kent remix with an earlier dance era. Sure it opens with a ghostly a capella and follows that with a synth that could have come from 1984, but when the dubstep drops in you know this to be firmly 21st century. The washes and the thick bass make the song sick, and I’m just as impressed how he mixed Robinson’s simple piano melody with that very different-sounding synth. But mostly, somehow the Clark Kent remix makes this song sound so much more haunting than I ever thought Smokey Robinson could.

9. Miguel – Do You… (Cashmere Cat Remix) (5:07)

First posted April 2013 by the Astral Plane

I promised Cashmere Cat would make this list and here he is at number nine. I listened to this remix so much that I went and checked out Miguel, but it turns out what I really like about this song is 100% due to Cashmere Cat. Those looking for bangers may be disappointed to see this track on the list, it’s really an early-evening song.  But the best isn’t always the hardest, and I think Miguel is doing unexpected things with his mixes. I love his use of the squeaky bed springs, a tongue-in-cheek reference to sex that’s much fresher than the clichéd sound of a woman moaning. One of the growing trends of 2014 is slowed-down vocals, and this mix demonstrates this nicely. When you first learn mixing, playing with pitch is an easy way to kill a party so I’m doubly impressed to see it done effectively. I also like the way he picked out the particularly fun couplet of this song and focused on it, without making the vocals sound repetitive. Probably because of all that synthy magic he’s mixed together to make this into one delicious soup.

8. Wild Belle – It’s Too Late (Employee Of The Year Remix) (3:13)

First posted in January 2013 by Disco Demons

Speaking of early-evening songs, this Wild Belle remix is probably the slowest jam on the list. Yet I can’t help but want to sway when that disco groove kicks in at :50. What’s sophisticated about this remix is how he perfects the original. It’s a good song, but a little repetitve, and Employee of the Year drops some of that, focusing on the strongest lines of the song. “It’s Too Late” would make a great closer (or opener), or a funny ditty for washing dishes, walking the dog, or romancing a first date. Probably too short at just over three minutes, which is all the reason to play it again. If you like this low-tempo number, you should probably check out my best indie pop list.

7. RESET! – Stealin your soul (Original Vocal Mix) (4:15)

First posted January 2013 by Manalogue

Let’s pick up the pace a little with some house music. What really grabs me about this song is the fantastic vocals. His gospel-worthy voice combined with the short trumpet frill makes this 2013 song sound like it could have been a remix of some old 70s vinyl from the rummage bin. The group is Italian, so I can’t tell you much about them, all I know is that his enthusiasm is infectious.

6. Phoenix – Entertainment (Kastra Remix) (5:12)

First posted May 2013 by Surviving the Golden Age

I was disappointed by Phoenix’s newest effort after their breakout fourth album. The songs didn’t have that addictive quality that made me want to sing along despite the inexplicable lyrics (to be fair, they’re French). All that is quickly forgotten with Kastra’s irresistible electro remix. The song peaked at number 11 on the US alternative charts, but it’s Kastra’s remix that reminds me what makes electro so exciting and fun. Continue reading Top Songs of 2013: Best Dance Music TOP TEN