Tag Archives: dance music

Top Songs of 2013: Best Dance Music TOP TEN

best artist of 2013 Kukula
While we’re talking favorites of 2013, Kukula was the best artist I discovered last year.

The Top Songs of 2013 playlist continues, with the ten best dance songs playlist. By “best dance songs” I don’t mean “biggest bangers.” Anyone quality producer can lay down a floor shaker and even anthemic crescendos a la David Guetta and Calvin Harris are starting to sound tired. While the tracks below will make your hips shake, they also combine the zeitgeist of EDM right now and the direction dance music is heading.

The Best Dance Music of 2013

10. Smokey Robinson – Being With You (Clark Kent Remix) (4:34)

First posted August 2013 by Earmilk

As I mentioned in the previous post, this year’s crop of best dance tunes had a lot of retro remixes, but you’d not confuse this Clark Kent remix with an earlier dance era. Sure it opens with a ghostly a capella and follows that with a synth that could have come from 1984, but when the dubstep drops in you know this to be firmly 21st century. The washes and the thick bass make the song sick, and I’m just as impressed how he mixed Robinson’s simple piano melody with that very different-sounding synth. But mostly, somehow the Clark Kent remix makes this song sound so much more haunting than I ever thought Smokey Robinson could.

9. Miguel – Do You… (Cashmere Cat Remix) (5:07)

First posted April 2013 by the Astral Plane

I promised Cashmere Cat would make this list and here he is at number nine. I listened to this remix so much that I went and checked out Miguel, but it turns out what I really like about this song is 100% due to Cashmere Cat. Those looking for bangers may be disappointed to see this track on the list, it’s really an early-evening song.  But the best isn’t always the hardest, and I think Miguel is doing unexpected things with his mixes. I love his use of the squeaky bed springs, a tongue-in-cheek reference to sex that’s much fresher than the clichéd sound of a woman moaning. One of the growing trends of 2014 is slowed-down vocals, and this mix demonstrates this nicely. When you first learn mixing, playing with pitch is an easy way to kill a party so I’m doubly impressed to see it done effectively. I also like the way he picked out the particularly fun couplet of this song and focused on it, without making the vocals sound repetitive. Probably because of all that synthy magic he’s mixed together to make this into one delicious soup.

8. Wild Belle – It’s Too Late (Employee Of The Year Remix) (3:13)

First posted in January 2013 by Disco Demons

Speaking of early-evening songs, this Wild Belle remix is probably the slowest jam on the list. Yet I can’t help but want to sway when that disco groove kicks in at :50. What’s sophisticated about this remix is how he perfects the original. It’s a good song, but a little repetitve, and Employee of the Year drops some of that, focusing on the strongest lines of the song. “It’s Too Late” would make a great closer (or opener), or a funny ditty for washing dishes, walking the dog, or romancing a first date. Probably too short at just over three minutes, which is all the reason to play it again. If you like this low-tempo number, you should probably check out my best indie pop list.

7. RESET! – Stealin your soul (Original Vocal Mix) (4:15)

First posted January 2013 by Manalogue

Let’s pick up the pace a little with some house music. What really grabs me about this song is the fantastic vocals. His gospel-worthy voice combined with the short trumpet frill makes this 2013 song sound like it could have been a remix of some old 70s vinyl from the rummage bin. The group is Italian, so I can’t tell you much about them, all I know is that his enthusiasm is infectious.

6. Phoenix – Entertainment (Kastra Remix) (5:12)

First posted May 2013 by Surviving the Golden Age

I was disappointed by Phoenix’s newest effort after their breakout fourth album. The songs didn’t have that addictive quality that made me want to sing along despite the inexplicable lyrics (to be fair, they’re French). All that is quickly forgotten with Kastra’s irresistible electro remix. The song peaked at number 11 on the US alternative charts, but it’s Kastra’s remix that reminds me what makes electro so exciting and fun. Continue reading Top Songs of 2013: Best Dance Music TOP TEN

Top Songs of 2013: Best Dance Music 11-20

[gif via Reddit]

2013 was another good year for dance music. In narrowing down this list, I focused on songs that capture the genres and artists of the zeitgeist…at least as it appears from my weird indie hole in the wall. Thus, there is no Miley Cyrus here, but I was more likely to include Lorde than a comparable remix that felt out of time. Despite such considerations, I think this list has more retro remixes than any previous year. Could it be that 2013’s producers were daydreaming of the sexual revolution? I’m just gonna assume its so.

20. BANKS – Fall Over Djemba Djemba Remix

First posted in April 2013 by Earmilk

Normally I don’t go for a song that’s so house-y there’s a sample of a dude shouting, “BASS.” What hooks me on this one is the way they lengthen her vocals, so it sounds like she’s just holding that note for half of forever. It has a dreamy quality too, not as in dreamwave, but as in mystical. There’s a melody in there that could have been ripped from a New Age meditation CD. It’s positively other-worldly.

infinite patrick
If the Banks remix were an animated gif [image via Imgur]

19. American Authors – Believer (Hyperbits remix)

First posted in August 2013 by Kick Kick Snare

Wait, is that a banjo? That breaks into a sick synth? Why, yes that’s precisely what happens at 1:20. Bonus points to Hyperbits for remixing a nifty up-and-coming band.

18. The Colourist Little Games (Saint Lucia remix) (4:33)

This is your morning on St. Lucia [gif via Reddit]

First posted in April 2013  by Hilly Dilly

If you run out of coffee, this rousing number may be the thing you need to get you moving in the morning. Gorgeous harmonies over light tinkly keyboards and so many washes you’ll think you’re in the shower.

17. The Magician – When the Night is Over (4:00)

First posted in September 2013 by No Nací en Manchester

“Leave your high heels, on I love it.”

If that St. Lucia remix was a little too chipper for your taste, have a bite of this dark, sexy number with some serious bass.”When the Night Is Over” sounds like the kind of song you’d first hear while meeting your new favorite one-night-stand on the dance floor. But it could easily become the kind of song you sing along with on your favorite dance mix. If you wondered what the heck Aeroplane was up to in 2013, it’s because the fellows behind it split. Stephen Fasano of Aeroplane is now The Magician. I hope he plays this name for all its worth: the tux, the rabbit, the wand.

16. JD Samson & MEN – All The Way Thru W. Jeremy’s Other Side Remix (6:32)

Thanks to Earmilk for being the only blogger of 2013 to share this track. August 2013

For those of you who don’t know JD Samson, s/he’s the beats behind every feminist’s favorite underground electro performance artists. I favor musicians that are a little subversive or queer, even when the music isn’t, so there may be some bias here. But this is a groovy, simple disco number that pleases me every time it pops up on my playlist. It’s not a 3 a.m. song, but it’s one of 2013’s best early songs. The odd metaphor, “My love is so deep it goes all the way through” will get folks flirting.

15. Lorde – Royals BWen Bootleg Remix

Only posted in November 2013 thanks to The Music Ninja

I’m not going to get into whether Lorde is an indie musician gone pop or whether she’s a pop star faking indie. Regardless it’s obvious that Lorde is 2013’s biggest teen sensation, grabbing the attention of hipsters and yuppies alike.  “Royals” was all over the radio and, though it is a silly pop song, on a deeper level I think the lyrics resonated with the zeitgeist. The song isn’t particularly danceable, yet it was so wildly popular last year that it brought a lot of people to the dance floor. Thus it seemed fitting that the very best “Royals” remix wind up on a best of 2013 list.

I listened to every remix of this song I could get my hands on, and then did the same process all over again at the end of the year. Both times, there were really only two remixes that got my attention, this one and the “Royals” remix by San Francisco’s Wild Boyz!. I was surprised that while some of the other remixes had thousands of reposts and likes, this remix only got posted once, on The Music Ninja. So, while I’m confident it’s the best, I’d love to hear your favorite “Royals” remix of the year—and whether you think this one tops it.

 14. Chief Keef – Hate Being Sober (Team Bayside High Bootleg) (4:51)

First posted in June 2013, also by The Music Ninja

hypno kitty gif
“Hey man, someone put on the Chief Keef remix”

To me the biggest musical innovation of 2013, at least for EDM, was the growth of trap music. It seems to pick up where dubstep was beginning to become tiresome, and merge with exciting new directions in hip hop. Team Bayside’s remix is a fine example. It’s a little bit dubstep, a little bit electro, and a little bit hip-hop, combining all synergistically into something better, newer and heavier. It takes a somber hip-hop song but adds the sonic trills of electro with the dark whooba whooba bass of dubstep. This is a 4am song for club revelers long past sober, ready to dance dirty and do all drugs mama warned them about.

13. The Toyes – Smoke Two Joints (Terravita Remix) (5:36)

First posted April 2013 by Earmilk

legen wait for it dary NPH HIMYM
How this remix makes me feel

Speaking of late-night druggie songs, here’s a familiar favorite with a drop that will hit you like a ton of bricks. Reggae lends itself well to dubstep, and this Toyes song from 1983 has been just begging for a truly solid remix. Last year it got its comeuppance. I wasn’t sure if the remix was truly from 2013, so I asked Terravita on Twitter, and he replied “some time in 2013,” an answer vague enough to make me think he’s been taking advice from a man in The Toyes. If you’ve had just about enough of dubstep, the Smoke Two Joints Terravita remix may just have you changing your mind. His wobbly makes that simple reggae guitar melody sound epic. Sick-sickity-sick.

Queen – We Will Rock You (Kiely Rich Remix) (3:37)

First posted April 2013 by Surviving the Golden Age

And speaking of epic songs from the days of yore, everyone loves a Queen remix and this Kiely Rich take is no exception. You’d think a remix of a classic song everyone loves would be a no-brainer, but such remixes tend to fail more often than not. The drunks get surly when they can’t sing along, thus too many DJs ruin a classic with too many chops and cuts. The Kiely Rick “We Will Rock You” remix does slice and dice Freddie Mercury’s vocals, but keeps the refrain chant-worthy, while mixing in some new magic to Brian May’s guitar wizardry.

That’s ten remixes for now, but once nap time is over get ready for the top ten dance songs of 2013.

Bag Raiders, Classixx and RAC play the Mezzanine this Saturday

Bag Raiders Classix RAC promo image from The Mezzanine

A good friend just told me that June 1st three fantastic DJs—Bag Raiders, Classixx, and the Remix Artists Collective—are going to be at the Mezzanine. All three of these DJs should be on your must-see list, as they’re consistently putting out memorable remixes of indie bands you already love (or should). But don’t take my word for it, have a listen for yourself. Continue reading Bag Raiders, Classixx and RAC play the Mezzanine this Saturday

The Top Twenty Dance Songs of 2012: Part I

I have three lists to get through here, the top dance songs, the top indie pop and the top rock songs, and I want to get those top tens to you as soon as possible. So no descriptions for most.

This is not a list of the best dance songs I discovered in 2012, I take care to determine that these songs actually first appeared in 2012. For remixes that can be tricky, so I’m giving credit to the first blog (as far as my research can show) to post the remix. It’s also a way for me to give a nod to the music blogs that helped make 2012 another fantastic year for music fans.

Want to put it in your pocket and take it home with you? Right-click on the song and select “save as” to download. But you knew that already, you crafty babies.

Top Dance Songs of 2012
Image via Freebx

image via Freebx

The Best Dance Songs of 2012 11 – 20

  1. Gotye – Somebody That I Used to Know (Hypercrush remix)

    First posted Feb 26th, 2012 on D Squared
    “Yeah let’s fuckin’ RAGE!”  Honestly I think this should have been in the top ten but I just found it last week and, erm, well the top ten list is already written. Your remix still rages, Hyper Crush.

  2. Carousel – Let’s Go Home (Sound Remedy Remix)

    First posted on Hilly Dilly Oct 21, 2012

    For a while, I skipped this song, because it starts out all slow and pretty—not what is called for when getting your dance on. But this is just the sign of a finely crafted dance song. Dance music has a lead-in to make it easier for the DJ to mix, Sound Remedy just chose to do this with a lovely opening rather than the naked bass, as weaker DJs do.But the song doesn’t show why it’s one of the best dance songs of 2012 until 1:49, when it drops some retro 80s-esque bliss on your ears.  At 4:20 you get a siren and a bit more flair, and the song explodes into a synth wet dream.

  3. Ruda Krishna – Tonight’s The Night

    Posted ONLY on Aerial Noise April 13th, 2012

  4. Ladyhawke – Black White and Blue (Treasure Fingers remix)

    Treasure Fingers actually posted this on their site April 4th 2012. The first blog to post it was  Panda Toes Mar 6th, 2012

  5. Childish Gambino – Heartbeat (Dino Roc and Chris Jones remix)

    First posted on White Folks Get Crunk March 2nd, 2012

    This is my second-favorite remix of “Heartbeat”, the best remix of is the Justin Faust remix from 2011.

Ready for more of the best dance songs of the year?

dance! Continue reading The Top Twenty Dance Songs of 2012: Part I

David Guetta – A True #1 DJ or a Sellout?

Poor David Guetta sure has a tough time of it. Beneath the piles of babes, drugs, and awards, is a man accused. He’s accused of writing songs he didn’t write, and stealing ones he did, accused of being dead, and recently of being a fake DJ. Surely you’ve seen the YouTube video:

It’s possible that this is all a trick of the lighting in the club, but even if his mixer were turned off, I still wouldn’t buy that Guetta is a total fake. After all the guy’s been live Djing since he was seventeen. Surely if he didn’t know how to operate a mixer, someone in that time would have noticed. Even if his mixer is completely turned off, it’s possible that he had technical difficulties and had to throw on a mix CD. These things happen.

David Guetta in a bootylicious situation

But the very existence of this video and the support it’s received tells us that for every one of Guetta’s fans there’s a hater. He may not be a fake DJ, but is David Guetta a sellout? Let’s examine the evidence.

It seems he will collaborate with anyone, on his last album alone he worked with Usher, Sia, Taio Cruz, Snoop Dogg, Nicki Minaj, Chris Brown, Lil Wayne and Timbaland. He even collaborated with a fifteen-year old kid famous for lip-syncing on YouTube …but hey, maybe he’s just a friendly guy…and all his friends happen to be the biggest names in pop music.

Actually, it’s unfair to say this is all happening by accident. Guetta was told that dance music would never succeed in the American market, so he sought out the biggest names in pop. Now you can’t turn on the radio without hearing “Tonight’s going to be a good night” or that “Sexy Bitch” song he did with Akon, or whatever Guetta’s next single is. Instead of complaining about the lack of electronic music on the Billboard charts, he saw an opportunity and he took it.

Selling out can be defined as making music for money instead of answering the call of your artistic muse. Guetta described it this way: “The more melodies and chord changes, the less good it is for the clubs, but the better it is for radio, because it makes it really emotional…Yet, what gives dance music energy and drive is that it’s hypnotic and repetitive. My battle is to find the balance between the two.” Here he’s freely admitting that he changes the music he makes to appease the radio drones.

This all comes down to the age-old battle between professional and amateur artists. Whether you’re a dancer, poet, or photographer, if you want to make money practicing your art, you’ll have to learn to craft work that fits the needs of the person paying you. If you’re a writer, this could be cutting your profanity out of the articles you write for the local paper. If you’re a film-maker it could mean using the producer’s band for your soundtrack. And any DJ who’s ever worked a wedding can tell you the booking where you snub “The Hussle” and only play underground dance music you won’t be getting a referral from the bride. Maybe David Guetta truly believes auto-tune is the sexiest thing ever, but it’s more likely he puts up with it to have an opportunity to make Lil Wayne’s next hit a little less R&B and a little more four to the floor.

Haters gonna hate David Guetta

Meanwhile, those of us not out there making money can turn our nose up at those who do. Is David Guetta a sellout? Yes, and he probably has been for almost as long as he’s been making money.

It makes no difference to me if you hate on Guetta, what bother me is the idea that becoming a world-famous DJ and producer is somehow easy, if only you’re willing to sell out. The comments are along the lines of “All you need to become the next David Guetta are iTunes and swagger.” This marginalizes the hard work DJs are out there doing every day. Dammit, selling out his hard work.

Mashups of Duck Sauce – Barbra Streisand

Duck+Sauce++PNG.png
[Image from Last.fm]

I suspect that "Barbera Streisand" is the dance jam of the summer. Mainly because it's around, but not on the radio so your average radio drone hasn't heard it a thousand times. I imagine revelers saying, "Oh I know this! Wasn't it on Glee?" and their reveler friends saying "I dunno, but it sure makes me want to dance!" As it should. 

But you know I like to mix it up so, I'm sharing some of my favorite mashups of Duck Sauce's Bab's hit. The song barely has vocals so it's easy to mash and mix. It's like the song is a perfect beat and climax waiting to dress up any song. I mean really, is there any song you can't mash with "Barbra Streisand"? I accidentally had it playing at the same time as Beirut's "Santa Fe," and I gotta say that sounded pretty tight. But not all Duck based mashups are worthy of taking the time to upload. These are:

My least favorite, but mostly because I think "Vogue" is still overplayed. Still compulsively danceable.

At first I was skeptical of this next mashup. I actually love "Walkin' on the Sun," as a child of hippies I've always identified with the lyrics. But it seems that any radio hit gets so overplayed that it takes at least ten years before music snobs can stand to listen to it again. On top of that, the bass is all wobbly a la dubstep, which frankly I'm getting a little bored of. But then some magic happens after the three minute mark. Sickness is what happens. Sickness so so sick it gives me the shivers.

Uffie is on my list of rappers that need better producers to combine her nice rhymes with hot beats. I'm a fan of the Armand van Helden remix, but that one cuts out most of the lyrics. Here Elocnep has mashed Uffie's latest with "Harder Faster Better Stronger" and "Barbra Streisand." You can't do better for a universally loved dance platter than classic Daft Punk, here marinated in Duck Sauce for a scrumptious snack.

Finally here's the original so you mix masters can shape up some magic of your own. 

Posted via email from Like Dancing About Architecture

Adele overplayed? Remix it, mash it, cover it

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If you've been out in the world lately, or even if you haven't, you've probably heard Adele's "Rolling in the Deep." At the mashup night where I like to dance, they are in the habit of playing it two or three times in the same night. But, hey, it's a great song and Adele's fame is much deserved–no doubt the woman can sing. 

But at this point, we need some different versions of it because the original is getting tiresome from overplay. Here's a favorite remix, cover and mashup to allow you that Adele fix while escaping monotony.

Posted via email from Like Dancing About Architecture