We Lost A San Francisco Legend Today:RIP Kathi Kamen Goldmark

It is perhaps odd for me to write a eulogy for Kathi Kamen Goldmark because in truth I ef0e94ee790a0ad8976f96.L. V211631367 SX200 1 We Lost A San Francisco Legend Today:RIP Kathi Kamen Goldmarkbarely knew her. I can say this: she always volunteered to speak or answer questions for the NCBPMA, and because of her friendliness and approachability she was one of the first local producers I knew by name. She was one of those vivacious people that seems to be everywhere, and always smiling to boot. Being a producer is a tough job, and yet she never hesitated to answer a question or offer an explanation about why a certain guest would or wouldn’t be a fit for her show. She somehow managed to do this job while writing books and performing in the literary group the Rock Bottom Remainders.

As I’ve embarked on this journey in the Bay Area publishing world, I always imagined the day when Kathi and I would be friends. Not because she was some milestone of important authors (though she was!) but because she had that kind of warmth that made me think I could do this, that the writing and publishing scene isn’t a clique, but a community.

In the coming weeks there will be numerous posts from people who knew her well, that will explain better than I ever can why the loss of this luminary light will affect the Bay Area forever. I only wish to contribute this to make it known how many lives she touched, even among her acquaintances. It breaks my heart to know that I will never be able to tell her what a role model she was for me, and for so many others. But perhaps if you are reading this now, it will remind you of all the lives you may touch, and the special place you may find if you keep following your dreams. A space that is all your own—like Kathi, whose presence in the literary world is irreplaceable. Kathi Kamen Goldmark, you are missed.

 

RIP Maurice Sendak, Author of Where the Wild Things Are

RsEJG1 RIP Maurice Sendak, Author of Where the Wild Things Are
If you were born in the 80s or any time thereafter, you probably loved Where the Wild Things Are when you were a child. Which means today is a sad day for you. Did you know Maurice Sendak was gay? And snarky? Is the “Wild Rumpus” a euphemism for sex? Check out this interview Stephen Colbert did with Maurice Sendak.

Writing the First Chapter of A Novel

vlcsnap 2012 03 20 00h00m07s341.jpg.scaled.5001 Writing the First Chapter of A Novel

Two Chapter Ones

Novelling never seems to go as planned. When I started this novel, I told myself I would spend as much time on the later chapters as on the opening ones. Everyone spends forever writing their first chapter, of course because it is the first thing people read. I’ve also discovered that writing the first chapter is one of the hardest things to write. Why? Because what the reader wants is exactly the opposite of what the author wants. The writer wants to introduce you to their world: who these characters are, where they live, what they’re in search of. The reader hasn’t decided yet whether she cares about any of those things. The reader wants to know what happened: what’s the story? What’s the conflict? Where is this going? Complicating things further, the reader really does need some of that background information. Well into the novel, they know what the characters look like, where they live, what kind of world the story inhabits. So the author has this challenge: they must get the reader involved in the story right away while sneaking in little details that give the reader something to picture. When my reading group first looked over my story, I realized they didn’t know diving in whether the world was going to be suburban or fantasy, if it takes place today or fifty years ago. Thus every detail in chapter one matters, because the readers is starting from nothing. Not only do you have to sneak them in, you have to give just the right details in just the right order. 

 

The other challenge of first chapters is that they often a depict the world before the adventure began. Even Indiana Jones, as exciting as his life is, begins his story teaching at his university. Or take The Goonies: that action-packed story begins at home. Why even show the part before the kids discover the treasure map? Why not begin the story in the middle of the action, when they sneak into the cafe? The answer is that we want to know who these kids are, how they are like us, so we feel like this adventure could happen to us too. The problem comes in that many (most?) writers get lost in this set-up, taking too long in the introductions. 

 

Naturally, I’ve been tweaking Chapter 1 all along, but today I finished my first total rewrite. I don’t know about you, but I don’t like rewriting chapters. I already did the work, I’d rather revise than start from scratch. But I finally found the hook I needed. The main problem I had was that I wanted to start the story with the lead character waking up from a dream, which limits the options for the scene. In trying to imagine how to make the scene more exciting, I kept imagining her awakening somewhere strange, like in the back of truck. But I couldn’t make that work. I know that mortal peril is the best hook to interest the readers, but how could I put my character in mortal peril when she’s just awoken in the safety of her room? 

 

I also asked myself what exactly I needed to convey in this scene, for the reasons above. The main thing I wanted to get across was that the protagonist is depressed, but her boyfriend is even more so. I thought I had shown this, but it didn’t seem to me like the readers were getting it, not to the extent that I needed. And the answer to the question: “How can I show that this guy is really unwell?” also gave me the answer to the question “How can I endanger the characters and hook the reader right away?” 

 

Then I went through the old chapter one and I highlighted all the stuff that I thought I wanted to keep in the first chapter. Despite having whittled the chapter down to what I thought were the “essentials,” it was surprising when I did this how little I highlighted. I may keep some of the other content for later chapters. I stuffed most of the keeper-stuff into the beginning, and then rewrote the chapter without so much as a glance at what I had before.

 

Are you curious?

 

 

 

I’d love your feedback, especially if you like the old chapter one better.

Why Authors Need Twitter

I wrote an article for Opportunities Planeet on why artists, authors, or anyone who needs to market a product should be on Twitter.

For Anyone Looking to Market a Product, Twitter Can Be Even More Important Than Facebook

twitter Why Authors Need Twitter Twitter is the second-most popular social network in the world, and the ninth most-most popular website worldwide. But I believe for marketing, Twitter is the most important social media account to have. First let me say I’m comparing Twitter to Facebook not because they are the most similar, or because I think you should neglect to promote yourself on Facebook. I compare Twitter to Facebook because most people see Facebook as an important part of their marketing strategy, while neglecting the little blue bird. Sure, Facebook is the second-most popular website in the world. But most of the people who use it expect it to be a personal space. Facebook is where people share photos of their vacation and videos of kittens. You are expected to have one profile for all the different “hats” you wear, encompassing what you do at work, how you spend your free time, what music enjoy and what stories you’ve been reading…the whole kit and caboodle. Twitter allows you to brand yourself. You can have a multitude of Twitter profiles and no one frowns upon it as they would if you had a variety of Facebook personae. This means if you’ve written the book Zombies With Guns you can have a Twitter feed that focuses exclusively on weapons, ammo, and surviving the zombie apocalypse. On Facebook, your friends and family would be irritated by your constant stream of zombie and gun info, because they are not your target audience. On Twitter, your account is specifically for that purpose, so all of your followers would be people interested in that kind of content. Sure, you can get fifty of your friends to like your company on Facebook, but on Twitter those followers are not your pals but potential customers. Facebook has created a number of ways to compete with this advantage. They created groups, then changed, them, and are now getting rid of them. They created company pages. But in my experience, it is harder to gain followers of a Facebook company page than a Twitter page, even though many more people are on Facebook! That’s because people go to Facebook to talk to people they already know in real life. People go to Twitter to find out what’s going on in the world and to receive updates on their favorite subjects.

Read the rest of the article
at Opportunities Planet

Posted via email from Future is Fiction