Category Archives: Books, Writing, Publishing

Writers, Media, All, Culture, Humor, Politics

Why the Daily Show Keeps Winning Emmys

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In a recent segment on The Daily Show Jon Stewart notes the contrast between hackers and potheads whom the DOJ targets and the big banks that continue to be prosecution proof. He leads into this with a segment that compares the Obama administration’s words to their action in their commitment to freedom of the press.

The Daily Show with Jon Stewart Mon – Thurs 11p / 10c
Priorities USA
www.thedailyshow.com
Daily Show Full Episodes Indecision Political Humor The Daily Show on Facebook

 

The LULz just keeping coming over a juxtaposition of news clips that no other news source would put together. You get news stories about: the prosecution of state-run marijuana shops, a man who faces twenty-five years for hacking a Taylor Swift article, and otherwise boring C-Span clips of the coverage of the DOJ’s attempts to find a bank they can prosecute. This isn’t news, it’s political commentary with jokes. What distinguishes political commentary from news is that it goes beyond stating facts, it combines facts to suggest new ideas.

The Daily Show on Hackers, Potheads, and Banks (not) “Too Big to Jail”

The Daily Show with Jon Stewart Mon – Thurs 11p / 10c
Priorities USA – Too Big to Jail
www.thedailyshow.com
Daily Show Full Episodes Indecision Political Humor The Daily Show on Facebook

Thirty years ago, Jon Stewart’s role would have been filled by a columnist, nestled below Doonsebury on the back of the Opinion section. But Jon Stewart doesn’t have to state his facts. With the power of video to show you, rather than tell you, the news-makers hang themselves with their own words.

Most of what he says are jokes; the commentary is in the juxtaposition itself. This is what The Daily Show does best. Where the newspaper columnist of yore would paint a picture with facts and statistics, they make a collage of news clips that, alone, would be the tripe of another news day but together emphasize the hypocrisy, folly, or failure of their target. He doesn’t have to say that the administration’s targeting of journalists and sources goes against their stated values, he can prove it by showing clips of Obama’s words contrasting with his actions. Likewise, by showing a bunch of clips wherein the DOJ passes out prison sentences to hackers and potheads while those who caused the bank crisis go free, he can let the condemnations go unsaid. The video clips say it all, leaving him to make a joke of the irony.

They don’t have to do this. Nothing about The Daily Show requires political analysis. When it began, it was little more than a half-hour competitor to Saturday Night Live’s “Weekend Update.” If you’re old enough to remember the show Not Necessarily the News you know that jokes can be thrown over a news show without giving analysis too. But it’s often the case that while Jon Stewart is making Jew jokes and funny faces, the clips his team puts together are making astute political arguments that can make you angry and make you laugh at the same time. Any given episode of The Daily Show inspires more pathos than an entire season of The Cosby Show. As it should, because you begin to think, hey I listened to CNN all morning and nothing hit me as hard as that four minute segment on The Daily Show.

Following this is an equally brilliant segment wherein Jason Jones interviews a conservative lobbyist who was a victim of the IRS’s recent political targeting. Then it’s a Physics chat with Morgan Freeman. Here’s the full episode: The Daily Show with Morgan Freeman 5-23-2013.

 

All, Books, Writing, Publishing, Publishing:

“How Do I Get Published?” Tip #2

As a publishing industry professional, I’m often asked, “How do I get published?” Here’s my second post on what you can do now to help your chances of getting out of the slush pile and into the bookstores. This is focused on how to be published with traditional publishers, but these tips will help you with self-publishing too.

“How Do I Get Published?” See Your Name in Print #2:

Prove That Your Book Has Sales Potential

So You Want to Get Published...in a REAL book.

One way to convince a publisher to publish your book right now is to have solid data showing that there is an interest in buying it. The way most writers approach this is through tip #1, Establish Yourself As An Expert, but it’s not the only way. The way we’re looking at today is showing how similar books sold well.

Smart publishers will look at how well comps (industry term for competing titles in the same category) have done. A perfect pitch would mention one or two books on the same subject that have sold well. If the publisher can’t find comps that cover the same topic, they try to bring up several books that cover similar themes. In addition to comps with poor sales, a red flag is if there are fifty comps (too much competition) or if the big sellers have some exciting extra characteristic, like they’re written by a celebrity.

Continue reading “How Do I Get Published?” Tip #2 →

All, Bay Area, Books, Writing, Publishing, Publishing:, San Francisco, Writers

We Lost A San Francisco Legend Today:RIP Kathi Kamen Goldmark

It is perhaps odd for me to write a eulogy for Kathi Kamen Goldmark because in truth I Kathi Kamen Goldmarkbarely knew her. I can say this: she always volunteered to speak or answer questions for the NCBPMA, and because of her friendliness and approachability she was one of the first local producers I knew by name. She was one of those vivacious people that seems to be everywhere, and always smiling to boot. Being a producer is a tough job, and yet she never hesitated to answer a question or offer an explanation about why a certain guest would or wouldn’t be a fit for her show. She somehow managed to do this job while writing books and performing in the literary group the Rock Bottom Remainders.

As I’ve embarked on this journey in the Bay Area publishing world, I always imagined the day when Kathi and I would be friends. Not because she was some milestone of important authors (though she was!) but because she had that kind of warmth that made me think I could do this, that the writing and publishing scene isn’t a clique, but a community.

In the coming weeks there will be numerous posts from people who knew her well, that will explain better than I ever can why the loss of this luminary light will affect the Bay Area forever. I only wish to contribute this to make it known how many lives she touched, even among her acquaintances. It breaks my heart to know that I will never be able to tell her what a role model she was for me, and for so many others. But perhaps if you are reading this now, it will remind you of all the lives you may touch, and the special place you may find if you keep following your dreams. A space that is all your own—like Kathi, whose presence in the literary world is irreplaceable. Kathi Kamen Goldmark, you are missed.

 

Books, Writing, Publishing, Writing

ZOMG I’M THE FEATURED AUTHOR THIS WEEK ON PROTAGONIZE

$&ADFYF@!#$% Stop everything! You know Protagonize, that nifty site where writers go to share their stories online? (You don’t eh? Check it out.)

THEY PICKED ME AS THEIR FEATURED AUTHOR THIS WEEK. I’m so psyched. Look, here’s proof.

Protagonize featured author Karma Bennett

This must be what it feels like to get picked as Student of the Week in school.

What better time for you to have a look at the novel I’ve been posting there since February? Best to get reading it before there’s spoilers everywhere. 😉

 

All, Books, Writing, Publishing, Writers

RIP Maurice Sendak, Author of Where the Wild Things Are

A Fan Letter So Good The Child Up and Ate It
If you were born in the 80s or any time thereafter, you probably loved Where the Wild Things Are when you were a child. Which means today is a sad day for you. Did you know Maurice Sendak was gay? And snarky? Is the “Wild Rumpus” a euphemism for sex? Check out this interview Stephen Colbert did with Maurice Sendak.
Books, Writing, Publishing, Writers, Writing

Writing the First Chapter of A Novel

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Caesar fighting ninjas (from How I Met Your Mother)

Two Chapter Ones

Novelling never seems to go as planned. When I started this novel, I told myself I would spend as much time on the later chapters as on the opening ones. Everyone spends forever writing their first chapter, of course because it is the first thing people read. I’ve also discovered that writing the first chapter is one of the hardest things to write. Why? Because what the reader wants is exactly the opposite of what the author wants. The writer wants to introduce you to their world: who these characters are, where they live, what they’re in search of. The reader hasn’t decided yet whether she cares about any of those things. The reader wants to know what happened: what’s the story? What’s the conflict? Where is this going? Complicating things further, the reader really does need some of that background information. Well into the novel, they know what the characters look like, where they live, what kind of world the story inhabits. So the author has this challenge: they must get the reader involved in the story right away while sneaking in little details that give the reader something to picture. When my reading group first looked over my story, I realized they didn’t know diving in whether the world was going to be suburban or fantasy, if it takes place today or fifty years ago. Thus every detail in chapter one matters, because the readers is starting from nothing. Not only do you have to sneak them in, you have to give just the right details in just the right order. 

 

The other challenge of first chapters is that they often a depict the world before the adventure began. Even Indiana Jones, as exciting as his life is, begins his story teaching at his university. Or take The Goonies: that action-packed story begins at home. Why even show the part before the kids discover the treasure map? Why not begin the story in the middle of the action, when they sneak into the cafe? The answer is that we want to know who these kids are, how they are like us, so we feel like this adventure could happen to us too. The problem comes in that many (most?) writers get lost in this set-up, taking too long in the introductions. 

 

Naturally, I’ve been tweaking Chapter 1 all along, but today I finished my first total rewrite. I don’t know about you, but I don’t like rewriting chapters. I already did the work, I’d rather revise than start from scratch. But I finally found the hook I needed. The main problem I had was that I wanted to start the story with the lead character waking up from a dream, which limits the options for the scene. In trying to imagine how to make the scene more exciting, I kept imagining her awakening somewhere strange, like in the back of truck. But I couldn’t make that work. I know that mortal peril is the best hook to interest the readers, but how could I put my character in mortal peril when she’s just awoken in the safety of her room? 

 

I also asked myself what exactly I needed to convey in this scene, for the reasons above. The main thing I wanted to get across was that the protagonist is depressed, but her boyfriend is even more so. I thought I had shown this, but it didn’t seem to me like the readers were getting it, not to the extent that I needed. And the answer to the question: “How can I show that this guy is really unwell?” also gave me the answer to the question “How can I endanger the characters and hook the reader right away?” 

 

Then I went through the old chapter one and I highlighted all the stuff that I thought I wanted to keep in the first chapter. Despite having whittled the chapter down to what I thought were the “essentials,” it was surprising when I did this how little I highlighted. I may keep some of the other content for later chapters. I stuffed most of the keeper-stuff into the beginning, and then rewrote the chapter without so much as a glance at what I had before.

 

Are you curious?

 

 

 

I’d love your feedback, especially if you like the old chapter one better.
Writers

Why Authors Need Twitter

I wrote an article for Opportunities Planeet on why artists, authors, or anyone who needs to market a product should be on Twitter.

For Anyone Looking to Market a Product, Twitter Can Be Even More Important Than Facebook

Twitter birdie Twitter is the second-most popular social network in the world, and the ninth most-most popular website worldwide. But I believe for marketing, Twitter is the most important social media account to have. First let me say I’m comparing Twitter to Facebook not because they are the most similar, or because I think you should neglect to promote yourself on Facebook. I compare Twitter to Facebook because most people see Facebook as an important part of their marketing strategy, while neglecting the little blue bird. Sure, Facebook is the second-most popular website in the world. But most of the people who use it expect it to be a personal space. Facebook is where people share photos of their vacation and videos of kittens. You are expected to have one profile for all the different “hats” you wear, encompassing what you do at work, how you spend your free time, what music enjoy and what stories you’ve been reading…the whole kit and caboodle. Twitter allows you to brand yourself. You can have a multitude of Twitter profiles and no one frowns upon it as they would if you had a variety of Facebook personae. This means if you’ve written the book Zombies With Guns you can have a Twitter feed that focuses exclusively on weapons, ammo, and surviving the zombie apocalypse. On Facebook, your friends and family would be irritated by your constant stream of zombie and gun info, because they are not your target audience. On Twitter, your account is specifically for that purpose, so all of your followers would be people interested in that kind of content. Sure, you can get fifty of your friends to like your company on Facebook, but on Twitter those followers are not your pals but potential customers. Facebook has created a number of ways to compete with this advantage. They created groups, then changed, them, and are now getting rid of them. They created company pages. But in my experience, it is harder to gain followers of a Facebook company page than a Twitter page, even though many more people are on Facebook! That’s because people go to Facebook to talk to people they already know in real life. People go to Twitter to find out what’s going on in the world and to receive updates on their favorite subjects.

Read the rest of the article
at Opportunities Planet

Posted via email from Future is Fiction

All, Books, Writing, Publishing, Writers, Writing

Fun With the Freelance Calculator

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Hourly-work-goals-for-freelanc

I've known for a while that Freelance Switch offers this super-nifty calculator that will help you determine how much money you should charge per hour based on your cost of living and quantity worked. I hadn't really taken advantage of it yet, because when you first get started as a freelancer there's about a million and one things on your to-do list that don't make money directly, and this was nowhere near the top of the list. But last night I made up for it by running the calculator several times, and recording the output. Putting the data I pulled from the calculator, I made three separate charts: the first was based on bare-bones survival (no eating out, no health insurance, etc.), the second was based on a decent living (hiring a bookeeper, budgeting for retirement) and the third was for "making it' (budgeting for concerts, higher rent, decent Christmas gifts). Considering each chart, I plugged in different combinations of potential hours worked per day (my hours are on the low side because I'd like to devote a few hours daily to my blog or novel). This gave me hard numbers for how much I need to work to survive/succeed as a freelancer. Or conversely, how much I need to charge to work the hours I want to work. I think this will help motivate me to either work harder or negotiate harder for more pay. It may also allow me to not stress out and work 24/7 because I know when I'm making a living wage. 

I thought I'd share this as it is a way of using the freelance calculator that maybe you haven't thought about. 

Posted via email from Paperback Pusher

Books, Writing, Publishing, Publishing:

Nicholas Carr on E-Books

Media_httpsiwsjnetpub_abdop
via online.wsj.com

Nicholas Carr has an article in The Wall Street Journal about the malleability of e-books. Because a digital edition can be perpetually edited, it is never officially finished. He muses on how intrusive school boards and dictators will tinker in otherwise “published” e-books.

The section that interested me most (as I’ve pondered the article’s subject before) was this:

What may be more insidious is the pressure to fiddle with books for commercial reasons. Because e-readers gather enormously detailed information on the way people read, publishers may soon be awash in market research. They’ll know how quickly readers progress through different chapters, when they skip pages, and when they abandon a book.

I can absolutely see publishers doing this. It could create a world where books are tailored to fit a majority, in the same way market testing has resulted in a bevy of cookie-cutter movies. On the other hand, one could argue that this isn’t so different from the modern writers’ workshop.

One issue the article doesn’t delve into is how editable e-books can encourage more collaborative reading. One could imagine people trading versions of the Bible annotated by Christopher Hitchens or popular novels with erotic fan-fic written in, or copies of The Da Vinci Code with embedded photos of the art mentioned in the story. You’d end up with a variety of specially named editions floating around.

This would all serve to add to the notion of the physical book as a collectors item. With e-books as ephemeral, the printed book may continue to exist as the authority on what the final, official draft is. In the future when print runs decrease dramatically, having a personal copy of the rare, unchanging, printed book will give its owner a certain authority on the text and having a personal library will again become a status symbol.

Posted via email from Future is Fiction