Tag Archives: top ten

Top Indie Songs 2012: Pop

rollerskate high heel on red background

 The Top Ten Indie Pop Songs of 2012

The unofficial tagline of this site is “It’s not Brittany, bitch.” But my hopes are that the days of such cornball kinderwhore are over. Why just you listen to these ten delicious pop songs from 2012 and you’ll find you’re beginning to feel much more optimistic about the future of pop music.

After drafting this list, I realized quite a few of these albums haven’t been released in the U.S. yet. Sorry for any aneurisms this inaccuracy causes in your tender, particular brains. But we gotta keep it up and coming around here.

1. We Were Evergreen – Baby Blue
“Baby Blue” was their only US single in 2012

“Baby Blue” is bliss, right from the little breaths that open the song. The slight echoes behind the harmonies and the one-up coin sound effect at 1:12 are nice touches but this would be an adorable song with just the pianos and playful harmonies. This is what sunshine sounds like.

2. Yes Nice – Empty Spaces (Oh No! Yoko Remix)
From their remix CD Yes Nice Remixed Feb 2012

This isn’t your standard remix. It begins with beautiful a capellas; next come the violins. The vocals are chopped in a way that somehow transcends the typical electronic song. It doesn’t have the structure of your typical remix either, which generally has a a minute long intro and outro and two or three climaxes. Instead, this starts out soft and lovely builds to a single gorgeous cacophony and ends swiftly. Empty Spaces is musically interesting from beginning to end, and when you’ve listened to it a few times the lyrics are fun to sink into.

There are some who would object to including a remix (or two) on this list because it takes credit from the original artist. But I see it as a way to give space for two acts. Oh No! Yoko makes some delightful songs of their own well worth checking out.

3. Blacklight Dinner Party – Older Together
From B.L.D.P. Oct. 2012

From the first second “Older Together” starts with a take-no-prisoners hook. The guitar and and throbbing synth compliment it perfectly. Instead of the standard motif of playing the hook with the chorus, that piano bit lets up for the vocals, so neither delight has to compete. Before you’re sick of the hook, the vocals come in. Before you can tire of the vocals, there’s that hook. His voice is unique but not quirky, and a subtle reverb gives it that extra little something. The second refrain takes it up a notch with a synth brass section.

It speaks to just how good this song is that I’ve been listening to it since the single was released last year and it still holds up to songs I’ve only been enjoying for a few months. It’s a sweet song with an irresistible melody. Fans of Peter Bjorn and John’s adorable ditty “Young Folks” will like this one. Shockingly, Amazon offers their whole album for under five bucks (right now Amazon is selling all five songs on that album for $2.99). Get it now before the cool kids catch on.

4. Gemini Club – By Surprise
From Here We Sit April 17,2012

This would be a catchy song with just the vocals, piano and drums. But there’s a lot of little touches that make it more polished. The synth trills. Before the refrain there’s a two measure vocal sample that hints at the vocal layers to come. The layered and sampled vocals that make up the bridge are delightfully surprising. The drummer does little effects, just enough to keep it interesting but not enough to get self-indulgent. I’m happy to report that every other song I’ve heard from Gemini Club is just as nice as “By Surprise.”

5. Alt JBreezeblocks (Girls on Drugs remix)
Check out more GirlsOnDrugs remixes on BandCamp

Alt-J has put out one of my favorite albums of 2012, and it would be fair to put “Breezeblocks” on this list. But I want to be sure you hear this remix, which turned out to be one of my most-listened to songs of the year. Something about the vocal decay, like at the end of the phrase, “here I go,” just works. It reminds me of the way visual artists are working with distorted images, finding beauty in what’s broken. And the tremolo is subtle, but tickles the eardrums just the same.

Continue reading Top Indie Songs 2012: Pop

Top Ten Dance Songs of 2012

The Best Dance Songs of the Year

fanning my vagina for these hot dance songs

With joy I present the hottest dance songs of 2012. These have been tested on random samples of teenage girls, drag queens, and punk rock kittens. Well, actually just on me, but those folks all live in my heart. And deep within my heart, when they hear these tracks they dance.

Top Dance Songs of 2012

  1. Azealia Banks – 212
    From the June 2012 EP 1991
    This properly belongs on my hip-hop list, and you’ll find it there, but it deserves the top spot on my Best Dance Songs list. I tried to avoid duplication, but it truly deserves a high-ranking spot on both lists. I only DJed a few times in 2012, but every time I did, this was the song that people came up to me and asked who the artist was. The beat is positively primal and her fast simple rhyme scheme will have you trying to rap along. You’ll find Azealia is too fast for your tongue, so you may as well give in and let the rhythm move you.
  2. Brodinski (feat. Louisahhh!!!) – Nobody Rules The Streets
    Released June 12, 2012 on the single Bromance #3
    Those who turn their noses up at dance music often complain about the repetition. “Nobody Rules These Streets” is a perfect example of how repetition in dance music succeeds. Louisahhh!!! only has one sentence in this song, and she sings it many times, but I don’t think a single time is identical to any other time. With every measure, Brodinski brings takes the song somewhere new. This is the hottest drop of the year, for dark sexy moments where the ladies bend their legs and dip as low and slow as they can. Even though the song only has one line, “Nobody Rules These Streets” still tells a story: Louisahhh!!! is a big fish in a big, dirty, nasty pond.
    If you like this one, also check out “Tonight’s the Night” on the Top Dance Music of 2012 11-20 list.
  3. Lisa Mitchell – Neopolitan Dreams (Sound Remedy Remix)
    First posted May 24th, 2012 on Indie Shuffle
    You may have noticed that I don’t put a lot of dubstep on YNFB/FIF. It’s not that I don’t like it, it’s that I like it in small, exceptional doses. I prefer it to change the mood, not to set the mood for the whole night. Whether you’re hesitant to get on board with dubstep or a longtime fan, check out Sound Remedy’s remix, as it is truly exceptional. He somehow manages to take this light and pretty pop song and make it both dubstep and glitchy 8-bit. Positively a gorgeous remix that’s bringing something new and unique to the dubstep genre.
  4. Robert DeLong – Global Concepts
    From the October 2012 EP Global Concepts
    Robert DeLong is the electronic musician I am most excited about for 2013. He makes electro with percussion that gives a nod to the Jamaican sound popularized by artists like Diplo and MIA. Maybe it’s because of the unexpected two-step pulse, or maybe it’s because he uses, like, REAL drums. “Global Concepts” is filled out with effects that sound like a rain stick. As a bonus, DeLong’s lyrics aren’t the same crap you usually get with dance music. Sure, the refrain “Did I make you fucking dance” is as good an anthem as any, but the rest of the song is filled out with lines like “After I die, I’ll re-awake / redefine what was at stake / from the hindsight of a god.” And who uses words like “entropy” in a dance song? It’s nice touches like this that make Robert Delong one of my favorite discoveries of 2012.

    NPH and Grover like the Top Ten Dance Songs of 2012
    Five More: Bring It!

    Continue reading Top Ten Dance Songs of 2012