Tag Archives: Neon Hitch

Basic Bitches, Hate Labels and an Amazing Kreayshawn Remix

image of Kreayshawn from her Tumblog
Not a Basic Bitch

I’ve been listening to a lot of podcasts lately, among them Slate’s Double X Gabfest. In a recent podcast they discussed the concept of the “basic bitch.” Immediately I thought of Kreayshawn’s 2011 hit, “Gucci Gucci” which proclaims “Gucci Gucci Fendi Vendi Prada: basic bitches wear that shit so I don’t even bother.” At one point in the show one of the hosts declared she wanted a remix of that song, and I am here to supply. How can I resist when Party Ben’s remix is so damn good?

The hosts discussed basic bitches as compared to hipsters. They seem to me to be perfect binary opposites. Both groups are lashing out at the presumptions they expect from their counterpart. The basic bitch thinks the hipster is uppity for not following social conventions (I gave a perfect example of this in my first article on hipsters, sourced from Urban Dictionary’s hipster definition). While the hipster thinks the basic bitch is just the sort of girl who made fun of him/her in school for not wearing the right clothes or participating in sports.

If you’ll allow me to further digress, I was having a tangential conversation last night with a Puerto Rican woman I’d just met. We were drunkenly discussing Florida racial politics (a favorite pastime of mine) in particular the ongoing hatred between Cubans and Puerto Ricans.

She felt that Cubans were the ones keeping this going, always accusing Puerto Ricans of selling out, for not revolting against the Yankee oppressor. This parallax view fascinated me. As one raised amongst Cubans, the narrative was similar, but different. My upbringing taught me it was the Puerto Ricans who started it all, with their big flag necklaces and upper-middle-class pride. True, Cubans were proud of their revolutionary status, but the hatred was coming from the Puerto Ricans. They were the ones bragging about their status, thinking the Cubans were lesser, for both their poverty and their questionable legal status.

Now there’s a lot to this conversation, (and much of it that most people wouldn’t be willing to discuss or admit even sober), but the part that is germane here is that in both cases the prejudice towards the other group stemmed from some underlying insecurity. If that Puerto Rican in fifth grade hadn’t gone basic bitch on me for accidentally referring to her as Cuban, I’d not have had prejudices against Puerto Ricans and their pride flags. The prejudice was born out of my own insecurities. And if hipsters weren’t so frequently taunted and bullied as kids, maybe they wouldn’t be so eager to brag about their current elite taste in coffee, music and thrift shopping.

It’s so easy to see one side of that coin, from whatever side a person happens to identify with most closely. What is fascinating to me is that there’s insecurity coming from both sides. That the basic bitches and the Puerto Ricans were hating from a place of insecurity too. It reminds me that deep down there are no bad people, just terribly broken people in search of healing. And that all gets back to the opening of the Gabest episode, where they discuss the gender confidence gap. Nice when things come full circle, isn’t it (discuss!)?

I promise this remix is better than the one used in the closing credits of the Gabfest…though that one was satisfying too.

Kreayshawn – Gucci Gucci (Party Ben’s Bringing Back Fidget remix)

OK I really only meant to start this post as an excuse to share this Kreayshawn remix. This junk will really get you dancing. Seriously one of my favorite remixes of the decade, though Kreayshawn won’t inspire the Oakland hipsters like she used to. And for your patience during my rant, I’ll throw in this cover by suspected-hipster never-to-be-a-basic-bitch Neon Hitch. Neon Hitch drops the “basic bitch” from her version, take from that what you will.

Neon Hitch – Gucci Gucci (Kreayshawn Cover) (2:40)

If you like this cover, it’s in my Best Electro of 2011 list. There may be more there to your tastes.

PS, the women of the Double X Gabfest claimed Kreayshawn is now a “mommy blogger.” As a media professional well-acquainted with mommy bloggers, I’m going to challenge that. Having just visited her Tumblr, I’d say that Kreayshawn is not at all a mommy blogger, but simply a public figure how happens to be a mom and have a blog. A distinction a group of feminists should surely acknowledge!

Best Music of 2011: Best Electro (Part II)

Best Electro of 2011 Part II

art by Javier Medellin Puyou

Image by Javier Medellin Puyou

Kids Of 88 – My House (3:58)

Hey dudes: if you’re looking for a song to sing at your woman while you jump around the dancefloor–this is the one.Try dancing like a maniac while mouthing “I’m gonna take you back to my house! I love the feeling when you touch me baby!” and surely you will get laid.

M83 – Midnight City (4:03)

This sounds like it should have been the lead single on the Tron soundtrack. After releasing countless albums, M83 is finally starting to get radio play with this song. No wonder, as the beat makes it a little less dreamwave than most of their other stuff. It’s hard to tell where the vocals end and the synth begins. And the passioned cry, “The city is my church!” never gets old.

Mr. Little Jeans – The Suburbs (Arcade Fire Cover) (5:12)

Remember when Arcade Fire won that grammy and everyone was all, “Who’s Arcade Fire?” Strange times we live in. They wouldn’t let me on their selection committee, but I suspect one of the reasons they won was for the lyrics that explore suburban angst. Arguably the best of these is this song, “The Suburbs,” a song I can’t seem to get tired of.This cover slows it down for a sexy groove that makes the beauitful lyrics easier to understand.

Neon Hitch – Gucci Gucci (Kreayshawn Cover) (2:40)

Another fun cover that’s a bit easier to sing along with than the original. If you haven’t heard of Kreayshawn yet, just-you-wait. She’s an up-and-coming Oakland rapper, who courts controversy by being not only white, but having a uniquely Oakland-hipster style. Far as I can tell, she doesn’t seem to give a fuck, which is the best way to be. The original “Gucci Gucci” is in my collection, but I recognize that it can be a bit too…boldly obnoxious for many. 2011 was a year for sexy slow-downs, and this one contrasts nicely with Kreayshawn’s brazen and clever lyrics.

Neon Indian – Polish Girl (4:24)

There’s a lot of weird, delightful little sounds in “Polish Girl.” It’s easy to get lost in wondering what toys he’s using to create this-or-that sound. Then I remember the lyrics, and get pulled back into the story of the song, until I hear that sound that’s like Mario just won a green 1-up shroom, and I’m pulled back into the swirly goodness. When there’s too much greatness to concentrate on at one time, you know it’s a song that’s going to stay on the heavy rotation for many months.

Polarsets – Morning (3:43)

Pure, perfect electro.So happy, it almost sounds like calypso. Yet it manages to avoid sounding too sacharine. Maybe it’s because of the emotion in his voice, but it all just works. If you like this song, get this album. One of the year’s best.

Polarsets – Sunshine Eyes (3:40)

No really, you should get their album. Listen to “Sunshine Eyes” and get a lesson in how a perfect new wave song is built. Pure delight from beginning to end. Sounds like: the montage music for your summer romance.

Teams – Stunts (5:26)

The heavy beat on “Stunts” would have made this a good fit for the “Best Dance Music of 2011” list, but the lack of vocals takes some of the energy out of it, so I put it here instead. If you’re a fan of Ratatat and Caribou this may be the fix you need.

The Knocks – Make It Better (3:53)

You love whistling, right? You love a head-bopping, disco beat with a melody that’s easy to sing along with right? Well then give this a listen.

The Rapture – How Deep Is Your Love? (6:27)

I was very excited to hear the new Rapture album, and while I can’t recommend the whole thing, this song is a winner. Part of what makes the Rapture so great is Luke Jenner’s emotive vocals, and this one is no exception. Four cocktails down, you will have trouble not singing “How deep is your love!” not as a question, but as an exclamation to be shouted to the fullest.

Yacht – Paradise Engineering (3:46)

At the beginning of the year, I was obsessing over their new song “Dystopia (the Earth is On Fire).” Well, I overplayed it and now I’m sick of it. But then I discovered that “Paradise Engineering” is even better. Both songs give a nod to the catastrophic state of the world channeling it all into blissed out disco denial. It’s a soundtrack for oblivious consumerism in a broken world, which makes it more than good pop: it’s the zeitgeist of the 21st century.

 

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