I Left My Heart in North Beach

According to my sweetie, the best hostel in San Francisco is the Green Tortoise, so that’s where my best friend Ray and I stayed for the second day of our vacation. It is in the North Beach district, which is S.F.’s version of Little Italy. The Hostel is in the most famous part of North Beach, Columbus Ave., where it borders and blends with Chinatown. From a block away you can see the majesty of the Sentinel building and the Transamerica Pyramid. You can also see the Citylights Bookstore and the Vesuvio. The Sentinel building is a green flat-iron that was constructed in 1907. The frame was actually built in 1906 and survived the great earthquake to be finished the following year. Supposedly you can sometimes see Francis Ford Coppola upstairs in his office, he also owns the cafe on the bottom floor.

Citylights is about as famous as a bookstore can get. It is where Lawrence Ferlinghetti first published Ginsberg’s “Howl” though it had been declared obscene. Ferlinghetti went to jail and it started the court case that is still the precedent for whether a document is considered obscene (whether or not it has artisitc merit). Aside from all that, it is a damn good bookstore. On the same block are the Vesuvio bar and the Stinking Rose, (named because all the recipes are made with garlic) both well-known beatnik hang-outs.

Ray and I spent the morning at the Beat Museum. The museum is not glamorous. It occupies an office space, old doors are used as makeshift dividers to define the space. There was plenty of info but they could use more artifacts. It seemed like the kind of place that exists not as a tourist trap but because a small group of dedicated folks think it should be there.

Rather than eating at the typical North Beach hang-outs, we brunched at Juicy Lucy’s, a mostly vegan, organic juice bar. The atmosphere is just my style: vaguely (Eastern) Indian and very brightly colored. Instead of benches, I sat on a bale of hay. They serve juice in bowls. The owner commented that the strawberries were particularly fresh and tasty that day, I love that the ingredients list is seasonal. Everything is made right there from scratch so it took a long time for our food to come.

After brunch, Ray and I walked to Chinatown. In my mind, Chinatown is the best place in the city for shopping. You can’t beat the prices or the atmosphere. I bought a girlie hair pin in the shape of a spider. I had regretted not getting it the last time I was in Chinatown and I was determined to find the shop that sold it. I love spiders and there is something delightful about wearing a pretty ornament made to look like something that most think of as ugly. I also fell in love with these bracelet/necklaces that are held together with magnets. Ray was shopping for a digital camera and I was very happy to buy a memory card from one of the little shops (rather than a corporate chain).
That night Ray and I went to the famous Castro theater in the Castro district. In the tradition of guady, early theaters it is not the prettiest I have seen but it won big points for the organ player. Before the show, a pipe organ rolls up from a trap door, played by a formally-dressed gentleman. The sound fills the entire auditorium in a way that no paltry speakers can. The sound is so full it is like hearing an entire orchestra. Truthfully, I enjoyed the pipe organ more than the movie. The movie was a Japanese film entitled Vengeance is Mine. After the movie, Ray and I went home, vowing to continue our celebration at Booty later in the week.

I Left My Heart In the Mission District

I ended up with an extra two days off from work so my best buddy Ray and I decided to take a much coveted vacation in my favorite city in the world, San Francisco. Never mind that S.F. is less than an hour from my doorstep. I saved the money on a plane ticket so I felt free to spend carelessly all week.

My vacation started off slow, as we went to three places that were closed. Our first stop would have been the South Park Cafe. But being closed, I enjoyed watching artists work their easels in the park. Leaving South Park, we happened upon a fantastic gallery that runs there own printing press. I watched the machinery print rather unspectacular cards and realized that I am in love with every part of the book-making process. This gallery had, in addition to standard art, many hand-made books.

Failed destination #2 was the Arkansas Friendship Garden. We climbed high on Potrero Hill to not get there. On the steepest streets, instead of sidewalks there are stairs. No wonder the people of this city are more friendly and tolerant. I would have been impatient at all the false starts if the views weren’t so spectacular. The sun glinting off rows of cars on distant city streets looked like mercury floating in rivulets down the side of the hills. And this isn’t Nob Hill; this is standing next to project housing. Already tired and hungry, we trek to the Mission to sign up for a mural tour, which only runs on the weekends (It was Thursday).

Backtrack a bit, the Mission and North Beach have been in competition for my favorite ghettos of the city. The former is Mexican and the latter is Italian, though also known for being the site of the Beat Rennaissance in the sixties. I had been to some mediocre bars in the Mission, primarily around 16th and 17th St., but I had never spent a day walking through the neigbhoorhood’s South side. Every other building is brightened by colorful murals, most of which honor revolutionaries, activists and their ideals. 24th St. is mostly restaurants and small groceries, with the ocassional shop or gallery.
We got a banana for a quarter at a local bodega and some fantastic pastries for a dollar each. Then we caught lunch at La Nueva Fruitlandia. I haven’t had Cuban food so good since eating my Cuban bisabuela’s recipes as a child. We tried to stop at a gallery for local hispanic radical artists but, keeping with the theme, they were closed to prepare for a big opening night. So instead we happily browsed the shops. One shop sold mostly carnival accessories for Day of the Dead and little Mexican dresses for girls to wear to church. But they also carried a lot of Zapatista products and we walked out of there with Zapatista (light roast!) coffee and coffee flavored honey. I also acquired a wrist warmer with Che’s visage for only $2.50. That’s something you won’t find in North Beach.

We turned North onto Valencia, which is more of a commercial main drag. Valencia St. is low-key bars, vintage and kitsch shops, shamelessly radical bookstores and vegetarian chow.

Ray and I happened upon a small side street, more like an alley that goes through, that was entirely covered in graffiti art. I should say, murals, because most of the work was not stylized in the typical graffiti style and you could tell they were all by different artists. Stepping into the alley, we could hear a woman wailing but this did not deter us from taking in the artful walls. I thought the woman was in the thin walls of one of these muraled studio apartments but about half way we found her sitting indian-style with her head in her hands. She appeared to be holding some sort of pipe. Her face was ragged and wrinkled and dirty. She was likely homeless. Her suffering moved me. I asked her if she wanted a hug. She said “sure.” Then she stood up and I held this her in my arms while she sobbed and sobbed. I held her tightly and didn’t let go until she did first. She asked if I had a cigarette and of course I didn’t. We left her still tearful, but no longer filling the corrider with her anguished sobs.
Then a strange coincidence happened. I have hugged a tattered old San Franciscan once before, when I was drunk at the Bar in the Castro. This was after a conversation about her manic depression, as I recall. The first place we went after the alley of art was a small boutique. As I was entering the shop, that same woman I hugged in the Castro was leaving. She didn’t recognize me.

We stopped in 426 Valencia, which is Dave Eggar’s program that teaches creative writing to kids. The project is partly funded by the pirate shop at the entrance. The pirate motif is also a ruse to entrance the kids into getting excited about writing (426 Valencia has been very successful, so you might have heard of other centers around the country). I was hastily filling out a volunteer application when I heard the guy behind the counter telling people it was closing time. I didn’t look up, but I overheard a dejected couple responding. In coindidence #2, the dejeced couple was Lawrence and Cecily; they were staying at my house for a few nights before they move to L.A.
Later we meet up with Lawrence, Cecily, Jeremy and my sweetie at Delirium to have drinks. We barhop to Zeitgeist, a biker bar with fantastic bloody marys and terrible music. Day two of my vacation continues with a youth hostel, North Beach and the search for the perfect San Francisco bar.

Life is Beautiful; I do nothing to Stop the Blaze

We go into the city to celebrate my fantastic new job, bar hopping in the Mission with Jeremy and Jenifer.

Jeremy and Jenifer are a bit older than my sweetie and I and they have the kind of financial stability we are striving for and the suburbanism we are trying to avoid.

The bars close at two and we go up to their hotel. It occurs to me that my visits to hotels have mostly been connected to conferences and road trip stopovers. The very idea that my friends are paying to spend the night in the city is exemplary of the kind of luxury that makes me bashful.

At the room, we spend a lot of time bitching about the motion sensor refrigerators. They have fridges in every room but they are already fully stocked with drinks. If you take one, the sensor records it on your bill. This is a good way to take advantage of wasted partiers and it also means that every room has a refrigerator that can’t be used. If one wants to use it, they charge a twenty dollar fee to have its contents removed. This resonates with me as a symbol of what’s fundamentally wrong with this society: the hotel pays for every room to have an unusable fridge while so many people in the world still don’t have refrigeration. It is the same as the empty houses in a city with so many homeless, the same as the wasted, unpurchased food that rots in the trash while so many people starve.
The only word to justify such logic is profit.

I have been reading Derrick Jensen and he is caught up in the idea that the dominant culture is insane. The only way to choose sushi and freeways over birds and tuna and the preservation of the climate, he argues, is to be crazy. It is crazy to destroy one’s landbase for any reason, much less so we can all pay for minibars in our hotel rooms. But I don’t think the dominant culture is crazy. It does not have, as Jensen puts it, a death wish. I believe we are merely short-sighted.

Leaving the hotel room I couldn’t help but see how easy it is to fall into this luxury, how very second-nature it is to me.

Standing in the big glass elevator, I hear its mechanical WOOSH and we are swept past eight floors, each one arranged precisely to be sterile and beautiful and non-offensive. Everywhere I look I am surrounded by artifice. There was no elevator muzak, but in such a moment there should have been. Sean was saying something about how all these hotels are designed the same way, like a formula. Briefly I feel science fiction, like this can’t be real, these smooth and perfect elevators in this smooth and perfect structure. Some day people will look back in awe, trying to imagine living in a world so pristine, in the same way impoverished Cubans wonder at the splendor of Batista’s muraled and gilded palace. Some day this same building will be dark and dirty and people will try to imagine how beautiful it must have been to ride in those glass elevators (It’s the same hotel featured in the 1977 Mel Brooks movie, High Anxiety).

Yet this kind of luxury has been omnipresent my entire life. Even as someone that has tried to take a step back and evaluate where my culture has come from, where it is going, the electric glow of the hotel lobby is expected, commonplace. Nature is what’s alien.

Humans are not good at connecting the dots. Even if I can see the connection between eating sushi and the “clear-cutting” of the oceans, it doesn’t touch my life. I have my own dreams, things I’ve been aspiring to as long as I can remember. Everyone does. Rarely does the trajectory of our lives come unhinged by the things we read about in the news. I know the polar bears are dying but there are so many things I want to do with my life that have nothing to do with polar bears. These few who say, “this is more important than my life, more important than anything I have ever wanted for myself,” are far out-numbered by those who are following their dreams in the system that perpetuates the destruction. Not sinister desires: musicians and writers, lawyers and firemen, chefs and film makers all rely on the continuation of the current system. And how could they not? Their dreams are born in it, they have never known anything else.

I am consumed by these thought as we drive home over the bay bridge. Sean is talking about how much he enjoys the ride. It is all downhill and easy turns. The cars speed at 80. The bridge has two levels and we are on the lower. In the distance there is a column of smoke. It goes higher than the concrete ceiling that limits our view. The smoke is so black it stands out against the navy of the night sky. It is four a.m.

As we leave the covered part of the bridge, the traffic slows to gaze at the biggest fire I have ever seen. Flames are easily shooting seventy feet into the air (later figures are 250 feet). The onramp we are passing is on fire. People are pulled over to look and take pictures. A firetruck is arriving at the scene and even the fireman is using his camera phone to take pictures. The fire is on the “maze,” a cluster of ramps that go onto the bridge. It has entirely consumed whatever started it. The lower ramp is broken in two and, as we drive by, the people gawking gasp: there is a crack as the flames consume the higher overpass like so much kindling in a giant campfire.

This awakens me from my daze. Through the glass and steel encasing of the car, the fire beckons, a bright bold reminder of nature, powerful and awesome. It is enormous. The firetrucks are powerless to stop it, at most they can only hope to contain it.

Tomorrow, I will hear radio recordings of of penguins making distress calls because their ice is melting. I will learn that the bluebell flowers are dying and thus so are the orange tipped butterflies and the birds that eat those butterflies (and so on). Just as every day I hear of the disappearance of some frog or the bleaching of the coral reefs. And I will go on singing and blogging and drawing.

But on this night my animal instincts are touched, the blaze attacking my artificial world like a giant pillaging the village. Still, I am civilized. I know there are firemen whose job it is to confront this giant. My job is to stay in my car. This is my place, our place, to sit by and watch as the whole world burns.